I am afraid that I have become a little evangelical about this late entry into the best-of-2017 listings. I dared recommend it to a friend, and now look at me, writing a blog about it.
I’d never heard of Hiss Golden Messenger before Tift Merritt Instagrammed her involvement in backing vocals on this record. They’re a North Carolina outfit (hence the Merritt connection) best described these days as Americana, though Wikipedia describes them thus:
The band’s music contains elements from various musical genres, such as folk, country, dub, country soul, rhythm and blues, bluegrass, jazz, funk, swamp pop, gospel, blues, and rock. The band’s style was also described as “alternative country” and “country rock.” The band’s main influences include the Beatles, The Byrds, and Buffalo Springfield. The band has been compared to Will Oldham and Bill Callahan.
Indeed. The not-misspelled name Hiss Golden Messenger hints at religionism whilst also acting as an open text you can interpret in any way you want. As someone who once started a blog called Hoses of the Holy, I appreciate the not-thereness of the name. Like my own band name, it’s a placeholder for whatever the creator(s) want to put there.
So to the music. Hallelujah Anyhow was released back in September, and (last I looked) was available for cheap on iTunes, and you can download it from Amazon for £6.19. It’s on Spotify, too, I hear, though I won’t have Spotify in the house. It’s a great-sounding record: something like Tom Petty’s Wildflowers with the rolling rhythmic groove of 70s Fleetwood Mac. The lyrics are literate and the vocal style is a less grating Dylan (John Prine is a close analogue).
Most importantly, this record is uplifting: a ray of sunshine in the world of 45 and Brexit, economic misery and hardship. It’s the antidote to our dark times, and unlike an opioid, won’t kill you.
This comes with my highest recommendation, which is that I might whisper it’s name to you.